Weisses FleischLetras, Traducción al Español y Significado

This is one of Rammstein's earliest and most confrontational songs, and it puts you right inside the mind of someone deeply disturbed and dangerous. The narrator is watching a girl on a schoolyard, and what he describes is essentially a sexual assault or attack framed through the lens of his own twisted psychology. The imagery of "white flesh" against "black blood" is doing a lot of heavy lifting here, setting up a contrast between innocence and corruption, purity and sickness. He's not just describing what he's doing, he's describing how it feeds something broken inside him.

What makes the song especially unsettling is that the narrator seems aware of his own damage but uses it almost as an excuse. The line about his father being "just like him" suggests a cycle of inherited violence or abuse, and his "sick existence crying out for redemption" frames his actions in almost religious language. The reference to the gigolo is darkly ironic, since a gigolo is someone who performs for others, which here seems to mean he sees himself as a kind of instrument of dark desire rather than taking full moral ownership of what he's doing. The "scaffold" line near the end suggests he sees the victim as both his destruction and his salvation.

The emotional tone is claustrophobic and genuinely disturbing. Rammstein were very young as a band when this came out on their debut album Herzeleid, and the song reflects that raw, provocative instinct to shock without much cushioning. It doesn't romanticize what's happening, but it also doesn't condemn it from the outside. You're trapped in the perpetrator's head the whole time, which is exactly where Lindemann wants you to be, uncomfortable and unable to look away.